Eyes on everything.
Live camera monitoring wired into the twin: feeds, recordings and focus views that follow the assets and events they watch. Click a feed to focus it.
Three tenses of seeing.
Camera Feed conjugates the building's eyes in three tenses: what they see now, what they already saw, and the wall you compose for yourself. The film below walks all three in one pass.
The present tense
The live wall: every feed with its scanlines and running timecode, and — just as honestly — the cameras that are dark. Offline units stay on the wall in black and white instead of disappearing, so the gaps in coverage are as visible as the coverage.
A wall that answers
Ask the wall questions and it rearranges itself: only the live feeds, only the dark ones, a different grid density, a different office scope. Filtering is how 122 cameras stay one readable screen instead of a hundred tiles of noise.
The past, already counted
The Recorded tab is not a pile of footage — every camera's archive arrives with its duration and its people and vehicle detections already attached. The Main Lobby's 45 hours carry 459 people and 1,213 vehicles before anyone presses play.
A fleet with addresses
Every camera is a named, placed asset: a CAM identifier, a floor and a zone — Main Lobby Entrance on Floor 2, Rooftop Access on the roof. The fleet KPIs sit above the wall: total cameras, online, offline, recordings, storage.
The possessive tense
Focused is the wall you build: pick a slot, choose from the camera list, and assemble your own monitoring view — the entrance, the corridor, the rooftop — whatever your shift actually watches. The module's payoff is not a feature; it is your wall.
Walk the wall.
One continuous pass, recorded from the live product: the wall as it watches, the archive it has already counted, and a focused wall of your own — built camera by camera.
See your operation, alive.
A live demonstration on a real building: your systems, your scale, your questions.